Soft moss a downy pillow makes, and green leaves spread a tent,
Where Faerie fold may rest and sleep until their night is spent.
The bluebird sings a lullaby, the firefly gives a light,
The twinkling stars are candles bright, Sleep, Faeries all, Good Night.
~Elizabeth T. Dillingham, “A Faery Song”
image: a Katrin Arens concept design <3
When the winds of March are wakening the crocuses and crickets,
Did you ever find a fairy near some budding little thickets,…
And when she sees you creeping up to get a closer peek
She tumbles through the daffodils, a playing hide and seek.
I made a mermaid! I love mermaids.
My second animation in AfterEffects.
"Fairies are invisible and inaudible like angels. But their magic sparkles in nature." ~Lynn Holland
The fairies of Spring are winging their way here even now
Dusk, Santorini, Greece
photo via theworld
Fingal’s Cave is a sea cave on the uninhabited island of Staffa, in the Inner Hebrides of Scotland, part of a National Nature Reserve owned by the National Trust for Scotland. It became known as Fingal’s Cave after the eponymous hero of an epic poem by 18th-century Scots poet-historian James Macpherson. Its size and naturally arched roof, and the eerie sounds produced by the echoes of waves, give it the atmosphere of a natural cathedral. The cave’s Gaelic name, An Uaimh Bhinn, means “the melodious cave.”
Romantic composer Felix Mendelssohn visited in 1829 and wrote an overture, The Hebrides, Op. 26, (also known as Fingal’s Cave overture), inspired by the weird echoes in the cave. Mendelssohn’s overture popularized the cave as a tourist destination. Other famous 19th-century visitors included author Jules Verne who used it in his book Le Rayon vert (The Green Ray); poets William Wordsworth, John Keats, and Alfred, Lord Tennyson; and Romantic artist J. M. W. Turner, who painted “Staffa, Fingal’s Cave” in 1832. Queen Victoria also made the trip.